text: Bakekang is a Philippine drama that aired on GMA Network from September 11, 2006, and ended on March 30, 2007. It aired internationally with a three-week delay on GMA Pinoy TV.

text: Bakekang

text: is

text: Philippine

text: drama

text: that

text: aired

text: on

text: GMA

text: Network

text: from

text: September

text: and

text: ended

text: on

text: March

text: It

text: aired

text: internationally

text: with

text: three

text: week

text: delay

text: on

text: GMA

text: Pinoy

text: TV

text: Lourdes Virginia Moran Poe , generally known as Lovi Poe ( born February 11 , 1989 ) , is a Filipina actress and singer . She is the daughter of the actor Fernando Poe , Jr. and is famous for playing the role of Kristal in Bakekang .

text: Lourdes

text: Virginia

text: Moran

text: Poe

text: generally

text: known

text: as

text: Lovi

text: Poe

text: born

text: February

text: is

text: Filipina

text: actress

text: and

text: singer

text: She

text: is

text: the

text: daughter

text: of

text: the

text: actor

text: Fernando

text: Poe

text: Jr.

text: and

text: is

text: famous

text: for

text: playing

text: the

text: role

text: of

text: Kristal

text: in

text: Bakekang

text: GMA Pinoy TV, is a Filipino television channel incorporated in February 2004 by GMA Network and its subsidiaries, GMA International and GMA Worldwide Inc. It was launched in 2005, primarily in Japan and the USA, as a 24-hour international Filipino television station. The channel is targeted towards overseas Filipinos and their families in the Philippines. The network airs shows produced by GMA Network. Drawing on programming from its flagship station in the Philippines, the network's programs can be seen worldwide.

text: GMA

text: Pinoy

text: TV

text: is

text: Filipino

text: television

text: channel

text: incorporated

text: in

text: February

text: by

text: GMA

text: Network

text: and

text: its

text: subsidiaries

text: GMA

text: International

text: and

text: GMA

text: Worldwide

text: Inc.

text: It

text: was

text: launched

text: in

text: primarily

text: in

text: Japan

text: and

text: the

text: USA

text: as

text: international

text: Filipino

text: television

text: station

text: The

text: channel

text: is

text: targeted

text: towards

text: overseas

text: Filipinos

text: and

text: their

text: families

text: in

text: the

text: Philippines

text: The

text: network

text: airs

text: shows

text: produced

text: by

text: GMA

text: Network

text: Drawing

text: on

text: programming

text: from

text: its

text: flagship

text: station

text: in

text: the

text: Philippines

text: the

text: network

text: 's

text: programs

text: can

text: be

text: seen

text: worldwide

text: GMA Network (Global Media Arts or simply GMA) is a major commercial broadcast television and radio network in the Philippines. GMA Network is the flagship property of publicly traded GMA Network Inc. Its first broadcast on television was on October 29, 1961, GMA Network (formerly known as RBS TV Channel 7, GMA Radio-Television Arts then GMA Rainbow Satellite Network) is commonly signified to as the "Kapuso Network" in reference to the outline of the companys logo. It has also been called the Christian Network which refers to the apparent programming during the tenure of the new management, which took over in 1976. It is headquartered in the GMA Network Center in Quezon City and its transmitter, Tower of Power is located at Tandang Sora Avenue, Barangay Culiat also in Quezon City.

text: GMA

text: Network

text: Global

text: Media

text: Arts

text: or

text: simply

text: GMA

text: is

text: major

text: commercial

text: broadcast

text: television

text: and

text: radio

text: network

text: in

text: the

text: Philippines

text: GMA

text: Network

text: is

text: the

text: flagship

text: property

text: of

text: publicly

text: traded

text: GMA

text: Network

text: Inc.

text: Its

text: first

text: broadcast

text: on

text: television

text: was

text: on

text: October

text: GMA

text: Network

text: formerly

text: known

text: as

text: RBS

text: TV

text: Channel

text: GMA

text: Radio

text: Television

text: Arts

text: then

text: GMA

text: Rainbow

text: Satellite

text: Network

text: is

text: commonly

text: signified

text: to

text: as

text: the

text: Kapuso

text: Network

text: in

text: reference

text: to

text: the

text: outline

text: of

text: the

text: companys

text: logo

text: It

text: has

text: also

text: been

text: called

text: the

text: Christian

text: Network

text: which

text: refers

text: to

text: the

text: apparent

text: programming

text: during

text: the

text: tenure

text: of

text: the

text: new

text: management

text: which

text: took

text: over

text: in

text: It

text: is

text: headquartered

text: in

text: the

text: GMA

text: Network

text: Center

text: in

text: Quezon

text: City

text: and

text: its

text: transmitter

text: Tower

text: of

text: Power

text: is

text: located

text: at

text: Tandang

text: Sora

text: Avenue

text: Barangay

text: Culiat

text: also

text: in

text: Quezon

text: City

question: place_of_birth lovi poe

answer: quezon city

text: quezon city

text: quezon city


text: The Wall is the eleventh studio album by the English rock band Pink Floyd, released as a double album on 30 November 1979 by Harvest Records in the United Kingdom and by Columbia Records in the United States. Considered one of the most famous concept albums by any artist, "The Wall" features the band's only single to top various charts, "Another Brick in the Wall, Part 2", followed with "Run Like Hell" and "Comfortably Numb". In 1982, the album was adapted into a feature film: "Pink Floyd  The Wall".

text: The

text: Wall

text: is

text: the

text: eleventh

text: studio

text: album

text: by

text: the

text: English

text: rock

text: band

text: Pink

text: Floyd

text: released

text: as

text: double

text: album

text: on

text: November

text: by

text: Harvest

text: Records

text: in

text: the

text: United

text: Kingdom

text: and

text: by

text: Columbia

text: Records

text: in

text: the

text: United

text: States

text: Considered

text: one

text: of

text: the

text: most

text: famous

text: concept

text: albums

text: by

text: any

text: artist

text: The

text: Wall

text: features

text: the

text: band

text: 's

text: only

text: single

text: to

text: top

text: various

text: charts

text: Another

text: Brick

text: in

text: the

text: Wall

text: Part

text: followed

text: with

text: Run

text: Like

text: Hell

text: and

text: Comfortably

text: Numb

text: In

text: the

text: album

text: was

text: adapted

text: into

text: feature

text: film

text: Pink

text: Floyd

text: The

text: Wall

text: Pink Floyd  The Wall is a 1982 British live-action/animated musical drama film directed by Alan Parker with animated segments by political cartoonist Gerald Scarfe, and is based on the 1979 Pink Floyd album of the same name. The film centers around a confined rocker named Pink, who, after being driven into insanity by the death of his father and many depressive moments during his lifetime, constructs a metaphorical (and sometimes physical) wall to be protected from the world and emotional situations around him. When this coping mechanism backfires he puts himself on trial and sets himself free. The screenplay was written by Pink Floyd vocalist and bassist Roger Waters.

text: Pink

text: Floyd

text: The

text: Wall

text: is

text: British

text: live

text: action

text: animated

text: musical

text: drama

text: film

text: directed

text: by

text: Alan

text: Parker

text: with

text: animated

text: segments

text: by

text: political

text: cartoonist

text: Gerald

text: Scarfe

text: and

text: is

text: based

text: on

text: the

text: Pink

text: Floyd

text: album

text: of

text: the

text: same

text: name

text: The

text: film

text: centers

text: around

text: confined

text: rocker

text: named

text: Pink

text: who

text: after

text: being

text: driven

text: into

text: insanity

text: by

text: the

text: death

text: of

text: his

text: father

text: and

text: many

text: depressive

text: moments

text: during

text: his

text: lifetime

text: constructs

text: metaphorical

text: and

text: sometimes

text: physical

text: wall

text: to

text: be

text: protected

text: from

text: the

text: world

text: and

text: emotional

text: situations

text: around

text: him

text: When

text: this

text: coping

text: mechanism

text: backfires

text: he

text: puts

text: himself

text: on

text: trial

text: and

text: sets

text: himself

text: free

text: The

text: screenplay

text: was

text: written

text: by

text: Pink

text: Floyd

text: vocalist

text: and

text: bassist

text: Roger

text: Waters

text: Pink Floyd were an English rock band formed in London. They achieved international acclaim with their progressive and psychedelic music. Distinguished by their use of philosophical lyrics, sonic experimentation, extended compositions and elaborate live shows, they are one of the most commercially successful and influential groups in the history of popular music.

text: Pink

text: Floyd

text: were

text: an

text: English

text: rock

text: band

text: formed

text: in

text: London

text: They

text: achieved

text: international

text: acclaim

text: with

text: their

text: progressive

text: and

text: psychedelic

text: music

text: Distinguished

text: by

text: their

text: use

text: of

text: philosophical

text: lyrics

text: sonic

text: experimentation

text: extended

text: compositions

text: and

text: elaborate

text: live

text: shows

text: they

text: are

text: one

text: of

text: the

text: most

text: commercially

text: successful

text: and

text: influential

text: groups

text: in

text: the

text: history

text: of

text: popular

text: music

text: A double album (or double record) is an audio album which spans two units of the primary medium in which it is sold, typically records and compact discs. A double album is usually though not always released as such, because the recording is longer than the capacity of the medium. Recording artists often think of double albums as comprising a single piece artistically; however, there are exceptions such as John Lennon's "Some Time in New York City" and Pink Floyd's "Ummagumma" (both examples of one studio record and one live album packaged together) and OutKast's "Speakerboxxx/The Love Below" (effectively two solo albums, one by each member of the duo). A classic example of this idea is Works (Volume One) by Emerson Lake and Palmer, where side one was Keith Emerson, two Greg Lake, three Carl Palmer while side four was by the entire group.

text: double

text: album

text: or

text: double

text: record

text: is

text: an

text: audio

text: album

text: which

text: spans

text: two

text: units

text: of

text: the

text: primary

text: medium

text: in

text: which

text: it

text: is

text: sold

text: typically

text: records

text: and

text: compact

text: discs

text: double

text: album

text: is

text: usually

text: though

text: not

text: always

text: released

text: as

text: such

text: because

text: the

text: recording

text: is

text: longer

text: than

text: the

text: capacity

text: of

text: the

text: medium

text: Recording

text: artists

text: often

text: think

text: of

text: double

text: albums

text: as

text: comprising

text: single

text: piece

text: artistically

text: however

text: there

text: are

text: exceptions

text: such

text: as

text: John

text: Lennon

text: 's

text: Some

text: Time

text: in

text: New

text: York

text: City

text: and

text: Pink

text: Floyd

text: 's

text: Ummagumma

text: both

text: examples

text: of

text: one

text: studio

text: record

text: and

text: one

text: live

text: album

text: packaged

text: together

text: and

text: OutKast

text: 's

text: Speakerboxxx

text: The

text: Love

text: Below

text: effectively

text: two

text: solo

text: albums

text: one

text: by

text: each

text: member

text: of

text: the

text: duo

text: classic

text: example

text: of

text: this

text: idea

text: is

text: Works

text: Volume

text: One

text: by

text: Emerson

text: Lake

text: and

text: Palmer

text: where

text: side

text: one

text: was

text: Keith

text: Emerson

text: two

text: Greg

text: Lake

text: three

text: Carl

text: Palmer

text: while

text: side

text: four

text: was

text: by

text: the

text: entire

text: group

text: Jazz is a music genre that originated amongst African Americans in New Orleans, United States, in the late 19th and early 20th centuries. Since the 1920s jazz age, jazz has become recognized as a major form of musical expression. It emerged in the form of independent traditional and popular musical styles, all linked by the common bonds of African American and European American musical parentage with a performance orientation. Jazz is characterized by swing and blue notes, call and response vocals, polyrhythms and improvisation. Jazz has roots in West African cultural and musical expression, and in African-American music traditions including blues and ragtime, as well as European military band music. Although the foundation of jazz is deeply rooted within the Black experience of the United States, different cultures have contributed their own experience and styles to the art form as well. Intellectuals around the world have hailed jazz as "one of America's original art forms".

text: Jazz

text: is

text: music

text: genre

text: that

text: originated

text: amongst

text: African

text: Americans

text: in

text: New

text: Orleans

text: United

text: States

text: in

text: the

text: late

text: and

text: early

text: centuries

text: Since

text: the

text: jazz

text: age

text: jazz

text: has

text: become

text: recognized

text: as

text: major

text: form

text: of

text: musical

text: expression

text: It

text: emerged

text: in

text: the

text: form

text: of

text: independent

text: traditional

text: and

text: popular

text: musical

text: styles

text: all

text: linked

text: by

text: the

text: common

text: bonds

text: of

text: African

text: American

text: and

text: European

text: American

text: musical

text: parentage

text: with

text: performance

text: orientation

text: Jazz

text: is

text: characterized

text: by

text: swing

text: and

text: blue

text: notes

text: call

text: and

text: response

text: vocals

text: polyrhythms

text: and

text: improvisation

text: Jazz

text: has

text: roots

text: in

text: West

text: African

text: cultural

text: and

text: musical

text: expression

text: and

text: in

text: African

text: American

text: music

text: traditions

text: including

text: blues

text: and

text: ragtime

text: as

text: well

text: as

text: European

text: military

text: band

text: music

text: Although

text: the

text: foundation

text: of

text: jazz

text: is

text: deeply

text: rooted

text: within

text: the

text: Black

text: experience

text: of

text: the

text: United

text: States

text: different

text: cultures

text: have

text: contributed

text: their

text: own

text: experience

text: and

text: styles

text: to

text: the

text: art

text: form

text: as

text: well

text: Intellectuals

text: around

text: the

text: world

text: have

text: hailed

text: jazz

text: as

text: one

text: of

text: America

text: 's

text: original

text: art

text: forms

text: "Run Like Hell" is a song by the English progressive rock band Pink Floyd, written by David Gilmour and Roger Waters. It appears on the album The Wall. It was released as a single in 1980, reaching #15 in the Canadian singles chart as well as #18 in Sweden.

text: Run

text: Like

text: Hell

text: is

text: song

text: by

text: the

text: English

text: progressive

text: rock

text: band

text: Pink

text: Floyd

text: written

text: by

text: David

text: Gilmour

text: and

text: Roger

text: Waters

text: It

text: appears

text: on

text: the

text: album

text: The

text: Wall

text: It

text: was

text: released

text: as

text: single

text: in

text: reaching

text: in

text: the

text: Canadian

text: singles

text: chart

text: as

text: well

text: as

text: in

text: Sweden

text: "Comfortably Numb" (working title "The Doctor") is a song by the English rock band Pink Floyd, which first appears on the 1979 double album "The Wall". It was also released as a single in 1980 with "Hey You" as the B-side. It is one of only three songs on the album for which writing credits are shared between guitarist David Gilmour and bassist Roger Waters. The chorus melody was written by Gilmour while Waters contributed the lyrics and the music for the verses. An early version of the song was included under the working title on the "Immersion Box Set" of "The Wall", released in 2012.

text: Comfortably

text: Numb

text: working

text: title

text: The

text: Doctor

text: is

text: song

text: by

text: the

text: English

text: rock

text: band

text: Pink

text: Floyd

text: which

text: first

text: appears

text: on

text: the

text: double

text: album

text: The

text: Wall

text: It

text: was

text: also

text: released

text: as

text: single

text: in

text: with

text: Hey

text: You

text: as

text: the

text: side

text: It

text: is

text: one

text: of

text: only

text: three

text: songs

text: on

text: the

text: album

text: for

text: which

text: writing

text: credits

text: are

text: shared

text: between

text: guitarist

text: David

text: Gilmour

text: and

text: bassist

text: Roger

text: Waters

text: The

text: chorus

text: melody

text: was

text: written

text: by

text: Gilmour

text: while

text: Waters

text: contributed

text: the

text: lyrics

text: and

text: the

text: music

text: for

text: the

text: verses

text: An

text: early

text: version

text: of

text: the

text: song

text: was

text: included

text: under

text: the

text: working

text: title

text: on

text: the

text: Immersion

text: Box

text: Set

text: of

text: The

text: Wall

text: released

text: in

text:
Classical music is art music produced or rooted in the traditions of Western music, including both liturgical (religious) and secular music. While a more accurate term is also used to refer to the period from 1750 to 1820 (the Classical period), this article is about the broad span of time from roughly the 11th century to the present day, which includes the Classical period and various other periods. The central norms of this tradition became codified between 1550 and 1900, which is known as the common-practice period. The major time divisions of Western art music are as follows:
European art music is largely distinguished from many other non-European and some popular musical forms by its system of staff notation, in use since about the 16th century. Western staff notation is used by composers to indicate to the performer the pitches (e.g., melodies, basslines, chords), tempo, meter and rhythms for a piece of music. This can leave less room for practices such as improvisation and "ad libitum" ornamentation, which are frequently heard in non-European art music and in popular-music styles such as jazz and blues. Another difference is that whereas most popular styles adopt the song (strophic) form, classical music has been noted for its development of highly sophisticated forms of instrumental music such as the concerto, symphony, sonata, and mixed vocal and instrumental styles such as opera which, since they are written down, can sustain larger forms and attain a high level of complexity.

text: Classical

text: music

text: is

text: art

text: music

text: produced

text: or

text: rooted

text: in

text: the

text: traditions

text: of

text: Western

text: music

text: including

text: both

text: liturgical

text: religious

text: and

text: secular

text: music

text: While

text: more

text: accurate

text: term

text: is

text: also

text: used

text: to

text: refer

text: to

text: the

text: period

text: from

text: to

text: the

text: Classical

text: period

text: this

text: article

text: is

text: about

text: the

text: broad

text: span

text: of

text: time

text: from

text: roughly

text: the

text: century

text: to

text: the

text: present

text: day

text: which

text: includes

text: the

text: Classical

text: period

text: and

text: various

text: other

text: periods

text: The

text: central

text: norms

text: of

text: this

text: tradition

text: became

text: codified

text: between

text: and

text: which

text: is

text: known

text: as

text: the

text: common

text: practice

text: period

text: The

text: major

text: time

text: divisions

text: of

text: Western

text: art

text: music

text: are

text: as

text: follows

text: European

text: art

text: music

text: is

text: largely

text: distinguished

text: from

text: many

text: other

text: non

text: European

text: and

text: some

text: popular

text: musical

text: forms

text: by

text: its

text: system

text: of

text: staff

text: notation

text: in

text: use

text: since

text: about

text: the

text: century

text: Western

text: staff

text: notation

text: is

text: used

text: by

text: composers

text: to

text: indicate

text: to

text: the

text: performer

text: the

text: pitches

text: e.g.

text: melodies

text: basslines

text: chords

text: tempo

text: meter

text: and

text: rhythms

text: for

text: piece

text: of

text: music

text: This

text: can

text: leave

text: less

text: room

text: for

text: practices

text: such

text: as

text: improvisation

text: and

text: ad

text: libitum

text: ornamentation

text: which

text: are

text: frequently

text: heard

text: in

text: non

text: European

text: art

text: music

text: and

text: in

text: popular

text: music

text: styles

text: such

text: as

text: jazz

text: and

text: blues

text: Another

text: difference

text: is

text: that

text: whereas

text: most

text: popular

text: styles

text: adopt

text: the

text: song

text: strophic

text: form

text: classical

text: music

text: has

text: been

text: noted

text: for

text: its

text: development

text: of

text: highly

text: sophisticated

text: forms

text: of

text: instrumental

text: music

text: such

text: as

text: the

text: concerto

text: symphony

text: sonata

text: and

text: mixed

text: vocal

text: and

text: instrumental

text: styles

text: such

text: as

text: opera

text: which

text: since

text: they

text: are

text: written

text: down

text: can

text: sustain

text: larger

text: forms

text: and

text: attain

text: high

text: level

text: of

text: complexity

text: `` One of the Few '' is a song by the British progressive rock band Pink Floyd . It was released as the third track on The Final Cut album in 1983 . The song is 1 minute and 12 seconds long . It features a ticking clock in the background and a steady drumbeat . The melody features most of the D minor scale . The lyrics describe a war veteran 's return from the battlefield to pursue teaching . The ticking clock continues to the next track , `` The Hero 's Return '' , which is sung from the veteran 's perspective . This is one of the rejected songs from The Wall and its working title was `` Teach '' . The lyrics `` Make ' em laugh , Make ' em cry '' in the third and final verse of the song is reprised in the third verse of `` Not Now John '' which is the twelfth track of the album The Final Cut .

text: One

text: of

text: the

text: Few

text: is

text: song

text: by

text: the

text: British

text: progressive

text: rock

text: band

text: Pink

text: Floyd

text: It

text: was

text: released

text: as

text: the

text: third

text: track

text: on

text: The

text: Final

text: Cut

text: album

text: in

text: The

text: song

text: is

text: minute

text: and

text: seconds

text: long

text: It

text: features

text: ticking

text: clock

text: in

text: the

text: background

text: and

text: steady

text: drumbeat

text: The

text: melody

text: features

text: most

text: of

text: the

text: minor

text: scale

text: The

text: lyrics

text: describe

text: war

text: veteran

text: 's

text: return

text: from

text: the

text: battlefield

text: to

text: pursue

text: teaching

text: The

text: ticking

text: clock

text: continues

text: to

text: the

text: next

text: track

text: The

text: Hero

text: 's

text: Return

text: which

text: is

text: sung

text: from

text: the

text: veteran

text: 's

text: perspective

text: This

text: is

text: one

text: of

text: the

text: rejected

text: songs

text: from

text: The

text: Wall

text: and

text: its

text: working

text: title

text: was

text: Teach

text: The

text: lyrics

text: Make

text: em

text: laugh

text: Make

text: em

text: cry

text: in

text: the

text: third

text: and

text: final

text: verse

text: of

text: the

text: song

text: is

text: reprised

text: in

text: the

text: third

text: verse

text: of

text: Not

text: Now

text: John

text: which

text: is

text: the

text: twelfth

text: track

text: of

text: the

text: album

text: The

text: Final

text: Cut

text: Psychedelic music (sometimes psychedelia) covers a range of popular music styles and genres influenced by the 1960s psychedelic culture, a subculture of people who used psychedelic drugs such as LSD, psilocybin mushrooms, mescaline and DMT to experience visual and auditory hallucinations, synesthesia and altered states of consciousness. Psychedelic music attempted to replicate the hallucinogenic experience of using these drugs or enhance the experience of using them. Psychedelic music emerged during the mid-1960s among folk rock and blues rock bands in the United States and Britain.

text: Psychedelic

text: music

text: sometimes

text: psychedelia

text: covers

text: range

text: of

text: popular

text: music

text: styles

text: and

text: genres

text: influenced

text: by

text: the

text: psychedelic

text: culture

text: subculture

text: of

text: people

text: who

text: used

text: psychedelic

text: drugs

text: such

text: as

text: LSD

text: psilocybin

text: mushrooms

text: mescaline

text: and

text: DMT

text: to

text: experience

text: visual

text: and

text: auditory

text: hallucinations

text: synesthesia

text: and

text: altered

text: states

text: of

text: consciousness

text: Psychedelic

text: music

text: attempted

text: to

text: replicate

text: the

text: hallucinogenic

text: experience

text: of

text: using

text: these

text: drugs

text: or

text: enhance

text: the

text: experience

text: of

text: using

text: them

text: Psychedelic

text: music

text: emerged

text: during

text: the

text: among

text: folk

text: rock

text: and

text: blues

text: rock

text: bands

text: in

text: the

text: United

text: States

text: and

text: Britain

text: Progressive rock (shortened as "prog"; sometimes "art rock", "classical rock" or "symphonic rock") is a broad subgenre of rock music that developed in the United Kingdom and United States throughout the mid to late 1960s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk or classical music. Additional elements contributed to its "progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening, not dancing.

text: Progressive

text: rock

text: shortened

text: as

text: prog

text: sometimes

text: art

text: rock

text: classical

text: rock

text: or

text: symphonic

text: rock

text: is

text: broad

text: subgenre

text: of

text: rock

text: music

text: that

text: developed

text: in

text: the

text: United

text: Kingdom

text: and

text: United

text: States

text: throughout

text: the

text: mid

text: to

text: late

text: Initially

text: termed

text: progressive

text: pop

text: the

text: style

text: was

text: an

text: outgrowth

text: of

text: psychedelic

text: bands

text: who

text: abandoned

text: standard

text: pop

text: traditions

text: in

text: favour

text: of

text: instrumentation

text: and

text: compositional

text: techniques

text: more

text: frequently

text: associated

text: with

text: jazz

text: folk

text: or

text: classical

text: music

text: Additional

text: elements

text: contributed

text: to

text: its

text: progressive

text: label

text: lyrics

text: were

text: more

text: poetic

text: technology

text: was

text: harnessed

text: for

text: new

text: sounds

text: music

text: approached

text: the

text: condition

text: of

text: art

text: and

text: the

text: studio

text: rather

text: than

text: the

text: stage

text: became

text: the

text: focus

text: of

text: musical

text: activity

text: which

text: often

text: involved

text: creating

text: music

text: for

text: listening

text: not

text: dancing

annotations: follows multiple

question: lyrics_by one of the few

answer: roger waters

text: roger waters

text: roger waters

text: roger waters


text: Sondra Louise Anderson (née Smith; born May 28, 1944), professionally known as Sondra Locke, is an American actress and film director. She made her film debut in 1968 in "The Heart Is a Lonely Hunter", for which she was nominated for an Academy Award for Best Supporting Actress. She went on to star in such films as "Willard", "The Outlaw Josey Wales", "The Gauntlet", "Every Which Way But Loose", "Bronco Billy", "Any Which Way You Can" and "Sudden Impact". She has worked with Clint Eastwood, who was her companion for over 13 years. Her autobiography, "The Good, the Bad, and the Very Ugly A Hollywood Journey", was published in 1997.

text: Sondra

text: Louise

text: Anderson

text: née

text: Smith

text: born

text: May

text: professionally

text: known

text: as

text: Sondra

text: Locke

text: is

text: an

text: American

text: actress

text: and

text: film

text: director

text: She

text: made

text: her

text: film

text: debut

text: in

text: in

text: The

text: Heart

text: Is

text: Lonely

text: Hunter

text: for

text: which

text: she

text: was

text: nominated

text: for

text: an

text: Academy

text: Award

text: for

text: Best

text: Supporting

text: Actress

text: She

text: went

text: on

text: to

text: star

text: in

text: such

text: films

text: as

text: Willard

text: The

text: Outlaw

text: Josey

text: Wales

text: The

text: Gauntlet

text: Every

text: Which

text: Way

text: But

text: Loose

text: Bronco

text: Billy

text: Any

text: Which

text: Way

text: You

text: Can

text: and

text: Sudden

text: Impact

text: She

text: has

text: worked

text: with

text: Clint

text: Eastwood

text: who

text: was

text: her

text: companion

text: for

text: over

text: years

text: Her

text: autobiography

text: The

text: Good

text: the

text: Bad

text: and

text: the

text: Very

text: Ugly

text: Hollywood

text: Journey

text: was

text: published

text: in

text: The Man with No Name is the protagonist portrayed by Clint Eastwood in Sergio Leone's "Dollars Trilogy" of Spaghetti Western films: "A Fistful of Dollars" (1964), "For a Few Dollars More" (1965) and "The Good, the Bad and the Ugly" (1966). He is easily recognizable due to his iconic brown hat, green poncho, tan cowboy boots, fondness for cigarillos and the fact that he rarely talks. Since he never received a name in any of the films, he is conventionally known as "the man with no name". When Clint Eastwood was honored with the American Film Institute's Lifetime Achievement Award in 1996 Jim Carrey held the introductory speech and said: "'The Man With No Name' had no name, so we could fill in our own." In 2008, "Empire" chose the Man With No Name as the 33rd greatest movie character of all time.

text: The

text: Man

text: with

text: No

text: Name

text: is

text: the

text: protagonist

text: portrayed

text: by

text: Clint

text: Eastwood

text: in

text: Sergio

text: Leone

text: 's

text: Dollars

text: Trilogy

text: of

text: Spaghetti

text: Western

text: films

text: Fistful

text: of

text: Dollars

text: For

text: Few

text: Dollars

text: More

text: and

text: The

text: Good

text: the

text: Bad

text: and

text: the

text: Ugly

text: He

text: is

text: easily

text: recognizable

text: due

text: to

text: his

text: iconic

text: brown

text: hat

text: green

text: poncho

text: tan

text: cowboy

text: boots

text: fondness

text: for

text: cigarillos

text: and

text: the

text: fact

text: that

text: he

text: rarely

text: talks

text: Since

text: he

text: never

text: received

text: name

text: in

text: any

text: of

text: the

text: films

text: he

text: is

text: conventionally

text: known

text: as

text: the

text: man

text: with

text: no

text: name

text: When

text: Clint

text: Eastwood

text: was

text: honored

text: with

text: the

text: American

text: Film

text: Institute

text: 's

text: Lifetime

text: Achievement

text: Award

text: in

text: Jim

text: Carrey

text: held

text: the

text: introductory

text: speech

text: and

text: said

text: The

text: Man

text: With

text: No

text: Name

text: had

text: no

text: name

text: so

text: we

text: could

text: fill

text: in

text: our

text: own

text: In

text: Empire

text: chose

text: the

text: Man

text: With

text: No

text: Name

text: as

text: the

text: greatest

text: movie

text: character

text: of

text: all

text: time

text: Bronco Billy is a 1980 American film starring Clint Eastwood and Sondra Locke. It was directed by Eastwood and written by Dennis Hackin.

text: Bronco

text: Billy

text: is

text: American

text: film

text: starring

text: Clint

text: Eastwood

text: and

text: Sondra

text: Locke

text: It

text: was

text: directed

text: by

text: Eastwood

text: and

text: written

text: by

text: Dennis

text: Hackin

text: The Outlaw Josey Wales is a 1976 American revisionist Western DeLuxe Color and Panavision film set during and after the American Civil War. It was directed by and starred Clint Eastwood (as the eponymous Josey Wales), with Chief Dan George, Sondra Locke, Sam Bottoms, and Geraldine Keams. The film tells the story of Josey Wales, a Missouri farmer whose family is murdered by Union militants during the Civil War. Driven to revenge, Wales joins a Confederate guerrilla band and fights in the Civil War. After the war, all the fighters in Wales' group except for Wales surrender to Union officers, but they end up being massacred. Wales becomes an outlaw and is pursued by bounty hunters and Union soldiers.

text: The

text: Outlaw

text: Josey

text: Wales

text: is

text: American

text: revisionist

text: Western

text: DeLuxe

text: Color

text: and

text: Panavision

text: film

text: set

text: during

text: and

text: after

text: the

text: American

text: Civil

text: War

text: It

text: was

text: directed

text: by

text: and

text: starred

text: Clint

text: Eastwood

text: as

text: the

text: eponymous

text: Josey

text: Wales

text: with

text: Chief

text: Dan

text: George

text: Sondra

text: Locke

text: Sam

text: Bottoms

text: and

text: Geraldine

text: Keams

text: The

text: film

text: tells

text: the

text: story

text: of

text: Josey

text: Wales

text: Missouri

text: farmer

text: whose

text: family

text: is

text: murdered

text: by

text: Union

text: militants

text: during

text: the

text: Civil

text: War

text: Driven

text: to

text: revenge

text: Wales

text: joins

text: Confederate

text: guerrilla

text: band

text: and

text: fights

text: in

text: the

text: Civil

text: War

text: After

text: the

text: war

text: all

text: the

text: fighters

text: in

text: Wales

text: group

text: except

text: for

text: Wales

text: surrender

text: to

text: Union

text: officers

text: but

text: they

text: end

text: up

text: being

text: massacred

text: Wales

text: becomes

text: an

text: outlaw

text: and

text: is

text: pursued

text: by

text: bounty

text: hunters

text: and

text: Union

text: soldiers

text: Any Which Way You Can is a 1980 American action comedy film , starring Clint Eastwood , Sondra Locke , Geoffrey Lewis , William Smith , and Ruth Gordon . It is directed by Buddy Van Horn . The film is the sequel to the 1978 hit comedy film Every Which Way but Loose .

text: Any

text: Which

text: Way

text: You

text: Can

text: is

text: American

text: action

text: comedy

text: film

text: starring

text: Clint

text: Eastwood

text: Sondra

text: Locke

text: Geoffrey

text: Lewis

text: William

text: Smith

text: and

text: Ruth

text: Gordon

text: It

text: is

text: directed

text: by

text: Buddy

text: Van

text: Horn

text: The

text: film

text: is

text: the

text: sequel

text: to

text: the

text: hit

text: comedy

text: film

text: Every

text: Which

text: Way

text: but

text: Loose

text: Sudden Impact is a 1983 American action thriller and the fourth film in the "Dirty Harry" series, directed by Clint Eastwood (making it the only "Dirty Harry" film to be directed by Eastwood himself), and starring Eastwood and Sondra Locke. The film tells the story of a gang rape victim (Locke) who decides to seek revenge on the rapists ten years after the attack by killing them one by one. A police detective (Eastwood) famous for his unconventional and often brutal crime-fighting tactics is tasked with tracking down the serial killer. As the detective investigates the killings, he becomes romantically entangled with the woman, and he is drawn deeper into the mystery surrounding the murders.

text: Sudden

text: Impact

text: is

text: American

text: action

text: thriller

text: and

text: the

text: fourth

text: film

text: in

text: the

text: Dirty

text: Harry

text: series

text: directed

text: by

text: Clint

text: Eastwood

text: making

text: it

text: the

text: only

text: Dirty

text: Harry

text: film

text: to

text: be

text: directed

text: by

text: Eastwood

text: himself

text: and

text: starring

text: Eastwood

text: and

text: Sondra

text: Locke

text: The

text: film

text: tells

text: the

text: story

text: of

text: gang

text: rape

text: victim

text: Locke

text: who

text: decides

text: to

text: seek

text: revenge

text: on

text: the

text: rapists

text: ten

text: years

text: after

text: the

text: attack

text: by

text: killing

text: them

text: one

text: by

text: one

text: police

text: detective

text: Eastwood

text: famous

text: for

text: his

text: unconventional

text: and

text: often

text: brutal

text: crime

text: fighting

text: tactics

text: is

text: tasked

text: with

text: tracking

text: down

text: the

text: serial

text: killer

text: As

text: the

text: detective

text: investigates

text: the

text: killings

text: he

text: becomes

text: romantically

text: entangled

text: with

text: the

text: woman

text: and

text: he

text: is

text: drawn

text: deeper

text: into

text: the

text: mystery

text: surrounding

text: the

text: murders

text: Dirty Harry is a 1971 American action thriller film produced and directed by Don Siegel, the first in the "Dirty Harry" series. Clint Eastwood plays the title role, in his first outing as San Francisco Police Department (SFPD) Inspector "Dirty" Harry Callahan. The film drew upon the actual case of the Zodiac Killer as the Callahan character seeks out a similar vicious psychopath.

text: Dirty

text: Harry

text: is

text: American

text: action

text: thriller

text: film

text: produced

text: and

text: directed

text: by

text: Don

text: Siegel

text: the

text: first

text: in

text: the

text: Dirty

text: Harry

text: series

text: Clint

text: Eastwood

text: plays

text: the

text: title

text: role

text: in

text: his

text: first

text: outing

text: as

text: San

text: Francisco

text: Police

text: Department

text: SFPD

text: Inspector

text: Dirty

text: Harry

text: Callahan

text: The

text: film

text: drew

text: upon

text: the

text: actual

text: case

text: of

text: the

text: Zodiac

text: Killer

text: as

text: the

text: Callahan

text: character

text: seeks

text: out

text: similar

text: vicious

text: psychopath

text: Harold and Maude is a 1971 American romantic dark comedy drama directed by Hal Ashby and released by Paramount Pictures. It incorporates elements of dark humor and existentialist drama, with a plot that revolves around the exploits of a young man named Harold (played by Bud Cort) intrigued with death. Harold drifts away from the life that his detached mother (Vivian Pickles) prescribes for him, and slowly develops a strong friendship, and eventually a romantic relationship, with a 79-year-old woman named Maude (Ruth Gordon) who teaches Harold about living life to its fullest and that life is the most precious gift of all.

text: Harold

text: and

text: Maude

text: is

text: American

text: romantic

text: dark

text: comedy

text: drama

text: directed

text: by

text: Hal

text: Ashby

text: and

text: released

text: by

text: Paramount

text: Pictures

text: It

text: incorporates

text: elements

text: of

text: dark

text: humor

text: and

text: existentialist

text: drama

text: with

text: plot

text: that

text: revolves

text: around

text: the

text: exploits

text: of

text: young

text: man

text: named

text: Harold

text: played

text: by

text: Bud

text: Cort

text: intrigued

text: with

text: death

text: Harold

text: drifts

text: away

text: from

text: the

text: life

text: that

text: his

text: detached

text: mother

text: Vivian

text: Pickles

text: prescribes

text: for

text: him

text: and

text: slowly

text: develops

text: strong

text: friendship

text: and

text: eventually

text: romantic

text: relationship

text: with

text: old

text: woman

text: named

text: Maude

text: Ruth

text: Gordon

text: who

text: teaches

text: Harold

text: about

text: living

text: life

text: to

text: its

text: fullest

text: and

text: that

text: life

text: is

text: the

text: most

text: precious

text: gift

text: of

text: all

text: A film director is a person who directs the making of a film. Generally, a film director controls a film's artistic and dramatic aspects, and visualizes the script while guiding the technical crew and actors in the fulfillment of that vision. The director has a key role in choosing the cast members, production design, and the creative aspects of filmmaking. Under European Union law, the director is viewed as the author of the film.

text: film

text: director

text: is

text: person

text: who

text: directs

text: the

text: making

text: of

text: film

text: Generally

text: film

text: director

text: controls

text: film

text: 's

text: artistic

text: and

text: dramatic

text: aspects

text: and

text: visualizes

text: the

text: script

text: while

text: guiding

text: the

text: technical

text: crew

text: and

text: actors

text: in

text: the

text: fulfillment

text: of

text: that

text: vision

text: The

text: director

text: has

text: key

text: role

text: in

text: choosing

text: the

text: cast

text: members

text: production

text: design

text: and

text: the

text: creative

text: aspects

text: of

text: filmmaking

text: Under

text: European

text: Union

text: law

text: the

text: director

text: is

text: viewed

text: as

text: the

text: author

text: of

text: the

text: film

text: High Plains Drifter is a 1973 American Western film directed by and starring Clint Eastwood, written by Ernest Tidyman, and produced by Robert Daley for Malpaso Company and Universal Pictures. Eastwood plays a mysterious, prepotent stranger, meting out justice in a corrupt frontier mining town. The film was influenced by the work of Eastwood's two major collaborators, film directors Sergio Leone and Don Siegel.

text: High

text: Plains

text: Drifter

text: is

text: American

text: Western

text: film

text: directed

text: by

text: and

text: starring

text: Clint

text: Eastwood

text: written

text: by

text: Ernest

text: Tidyman

text: and

text: produced

text: by

text: Robert

text: Daley

text: for

text: Malpaso

text: Company

text: and

text: Universal

text: Pictures

text: Eastwood

text: plays

text: mysterious

text: prepotent

text: stranger

text: meting

text: out

text: justice

text: in

text: corrupt

text: frontier

text: mining

text: town

text: The

text: film

text: was

text: influenced

text: by

text: the

text: work

text: of

text: Eastwood

text: 's

text: two

text: major

text: collaborators

text: film

text: directors

text: Sergio

text: Leone

text: and

text: Don

text: Siegel

text: The Dead Pool is a 1988 American action film directed by Buddy Van Horn, written by Steve Sharon, and starring Clint Eastwood as Inspector "Dirty" Harry Callahan. It is the fifth and final film in the "Dirty Harry" film series, set in San Francisco, California.

text: The

text: Dead

text: Pool

text: is

text: American

text: action

text: film

text: directed

text: by

text: Buddy

text: Van

text: Horn

text: written

text: by

text: Steve

text: Sharon

text: and

text: starring

text: Clint

text: Eastwood

text: as

text: Inspector

text: Dirty

text: Harry

text: Callahan

text: It

text: is

text: the

text: fifth

text: and

text: final

text: film

text: in

text: the

text: Dirty

text: Harry

text: film

text: series

text: set

text: in

text: San

text: Francisco

text: California

text: Million Dollar Baby is a 2004 American sports drama film directed, co-produced and scored by Clint Eastwood, and starring Eastwood, Hilary Swank and Morgan Freeman. This film is about an underappreciated boxing trainer, the mistakes that haunt him from his past, and his quest for atonement by helping an underdog amateur boxer achieve her dream of becoming a professional.

text: Million

text: Dollar

text: Baby

text: is

text: American

text: sports

text: drama

text: film

text: directed

text: co

text: produced

text: and

text: scored

text: by

text: Clint

text: Eastwood

text: and

text: starring

text: Eastwood

text: Hilary

text: Swank

text: and

text: Morgan

text: Freeman

text: This

text: film

text: is

text: about

text: an

text: underappreciated

text: boxing

text: trainer

text: the

text: mistakes

text: that

text: haunt

text: him

text: from

text: his

text: past

text: and

text: his

text: quest

text: for

text: atonement

text: by

text: helping

text: an

text: underdog

text: amateur

text: boxer

text: achieve

text: her

text: dream

text: of

text: becoming

text: professional

text: Clinton "Clint" Eastwood Jr. (born May 31, 1930) is an American actor, filmmaker, musician, and political figure. After earning success in the Western TV series "Rawhide", he rose to international fame with his role as the Man with No Name in Sergio Leone's "Dollars" trilogy of spaghetti Westerns during the 1960s, and as antihero cop Harry Callahan in the five "Dirty Harry" films throughout the 1970s and 1980s. These roles, among others, have made Eastwood an enduring cultural icon of masculinity.

text: Clinton

text: Clint

text: Eastwood

text: Jr.

text: born

text: May

text: is

text: an

text: American

text: actor

text: filmmaker

text: musician

text: and

text: political

text: figure

text: After

text: earning

text: success

text: in

text: the

text: Western

text: TV

text: series

text: Rawhide

text: he

text: rose

text: to

text: international

text: fame

text: with

text: his

text: role

text: as

text: the

text: Man

text: with

text: No

text: Name

text: in

text: Sergio

text: Leone

text: 's

text: Dollars

text: trilogy

text: of

text: spaghetti

text: Westerns

text: during

text: the

text: and

text: as

text: antihero

text: cop

text: Harry

text: Callahan

text: in

text: the

text: five

text: Dirty

text: Harry

text: films

text: throughout

text: the

text: and

text: These

text: roles

text: among

text: others

text: have

text: made

text: Eastwood

text: an

text: enduring

text: cultural

text: icon

text: of

text: masculinity

text: Eldred Gregory Peck (April 5, 1916  June 12, 2003) was an American actor who was one of the most popular film stars from the 1940s to the 1960s. Peck continued to play major film roles until the late 1980s. His performance as Atticus Finch in the 1962 film "To Kill a Mockingbird" earned him the Academy Award for Best Actor. He had also been nominated for an Oscar for the same category for "The Keys of the Kingdom" (1944), "The Yearling" (1946), "Gentleman's Agreement" (1947) and "Twelve O'Clock High" (1949). Other notable films he appeared in include "Spellbound" (1945), "Roman Holiday" (1953), "Moby Dick" (1956, and its 1998 miniseries), "The Guns of Navarone" (1961), "Cape Fear" (1962, and its 1991 remake), "How the West Was Won" (1962), "The Omen" (1976) and "The Boys from Brazil" (1978).

text: Eldred

text: Gregory

text: Peck

text: April

text: June

text: was

text: an

text: American

text: actor

text: who

text: was

text: one

text: of

text: the

text: most

text: popular

text: film

text: stars

text: from

text: the

text: to

text: the

text: Peck

text: continued

text: to

text: play

text: major

text: film

text: roles

text: until

text: the

text: late

text: His

text: performance

text: as

text: Atticus

text: Finch

text: in

text: the

text: film

text: To

text: Kill

text: Mockingbird

text: earned

text: him

text: the

text: Academy

text: Award

text: for

text: Best

text: Actor

text: He

text: had

text: also

text: been

text: nominated

text: for

text: an

text: Oscar

text: for

text: the

text: same

text: category

text: for

text: The

text: Keys

text: of

text: the

text: Kingdom

text: The

text: Yearling

text: Gentleman

text: 's

text: Agreement

text: and

text: Twelve

text: O'Clock

text: High

text: Other

text: notable

text: films

text: he

text: appeared

text: in

text: include

text: Spellbound

text: Roman

text: Holiday

text: Moby

text: Dick

text: and

text: its

text: miniseries

text: The

text: Guns

text: of

text: Navarone

text: Cape

text: Fear

text: and

text: its

text: remake

text: How

text: the

text: West

text: Was

text: Won

text: The

text: Omen

text: and

text: The

text: Boys

text: from

text: Brazil

text:
Buddy Van Horn (b. August 20, 1929) is a Hollywood stunt coordinator and film director. A long-time stunt double for Clint Eastwood, he directed such Eastwood films as "Any Which Way You Can", "The Dead Pool", and "Pink Cadillac". He doubled for Gregory Peck and Guy Williams on Disney's "Zorro" and on the 2004 Oscar-winning Best Picture "Million Dollar Baby", directed by Eastwood.
Van Horn's most prominent onscreen appearance is the role of Marshal Jim Duncan in the Clint Eastwood film "High Plains Drifter", a role which he and Eastwood play the same character. Van Horn is the murdered Marshal who was planning to report a gold stake to the government that the town of Lago wanted to keep for itself and Eastwood is the avenging spirit who returned to make the townspeople of Lago pay for their actions and to seek retribution against the three outlaws who bull-whipped the Marshal to death in front of the town who paid them to keep the Marshal from talking.

text: Buddy

text: Van

text: Horn

text: August

text: is

text: Hollywood

text: stunt

text: coordinator

text: and

text: film

text: director

text: long

text: time

text: stunt

text: double

text: for

text: Clint

text: Eastwood

text: he

text: directed

text: such

text: Eastwood

text: films

text: as

text: Any

text: Which

text: Way

text: You

text: Can

text: The

text: Dead

text: Pool

text: and

text: Pink

text: Cadillac

text: He

text: doubled

text: for

text: Gregory

text: Peck

text: and

text: Guy

text: Williams

text: on

text: Disney

text: 's

text: Zorro

text: and

text: on

text: the

text: Oscar

text: winning

text: Best

text: Picture

text: Million

text: Dollar

text: Baby

text: directed

text: by

text: Eastwood

text: Van

text: Horn

text: 's

text: most

text: prominent

text: onscreen

text: appearance

text: is

text: the

text: role

text: of

text: Marshal

text: Jim

text: Duncan

text: in

text: the

text: Clint

text: Eastwood

text: film

text: High

text: Plains

text: Drifter

text: role

text: which

text: he

text: and

text: Eastwood

text: play

text: the

text: same

text: character

text: Van

text: Horn

text: is

text: the

text: murdered

text: Marshal

text: who

text: was

text: planning

text: to

text: report

text: gold

text: stake

text: to

text: the

text: government

text: that

text: the

text: town

text: of

text: Lago

text: wanted

text: to

text: keep

text: for

text: itself

text: and

text: Eastwood

text: is

text: the

text: avenging

text: spirit

text: who

text: returned

text: to

text: make

text: the

text: townspeople

text: of

text: Lago

text: pay

text: for

text: their

text: actions

text: and

text: to

text: seek

text: retribution

text: against

text: the

text: three

text: outlaws

text: who

text: bull

text: whipped

text: the

text: Marshal

text: to

text: death

text: in

text: front

text: of

text: the

text: town

text: who

text: paid

text: them

text: to

text: keep

text: the

text: Marshal

text: from

text: talking

text: Sergio Leone (3 January 1929  30 April 1989) was an Italian film director, producer and screenwriter, credited as the inventor of the "Spaghetti Western" genre.

text: Sergio

text: Leone

text: January

text: April

text: was

text: an

text: Italian

text: film

text: director

text: producer

text: and

text: screenwriter

text: credited

text: as

text: the

text: inventor

text: of

text: the

text: Spaghetti

text: Western

text: genre

text: Ruth Gordon Jones (October 30, 1896  August 28, 1985), better known as Ruth Gordon, was an American film, stage, and television actress, as well as screenwriter and playwright. Gordon began her career performing on Broadway at age nineteen. Known for her nasal voice and distinct personality, she gained international visibility and critical acclaim for film roles which continued into her seventies and eighties. Her later work included performances in "Rosemary's Baby" (1968), "Harold and Maude" (1971), and the Clint Eastwood films "Every Which Way but Loose" (1978) and "Any Which Way You Can" (1980).

text: Ruth

text: Gordon

text: Jones

text: October

text: August

text: better

text: known

text: as

text: Ruth

text: Gordon

text: was

text: an

text: American

text: film

text: stage

text: and

text: television

text: actress

text: as

text: well

text: as

text: screenwriter

text: and

text: playwright

text: Gordon

text: began

text: her

text: career

text: performing

text: on

text: Broadway

text: at

text: age

text: nineteen

text: Known

text: for

text: her

text: nasal

text: voice

text: and

text: distinct

text: personality

text: she

text: gained

text: international

text: visibility

text: and

text: critical

text: acclaim

text: for

text: film

text: roles

text: which

text: continued

text: into

text: her

text: seventies

text: and

text: eighties

text: Her

text: later

text: work

text: included

text: performances

text: in

text: Rosemary

text: 's

text: Baby

text: Harold

text: and

text: Maude

text: and

text: the

text: Clint

text: Eastwood

text: films

text: Every

text: Which

text: Way

text: but

text: Loose

text: and

text: Any

text: Which

text: Way

text: You

text: Can

text: Spaghetti Western, also known as Italian Western or Macaroni Western (primarily in Japan), is a broad subgenre of Western films that emerged in the mid-1960s in the wake of Sergio Leone's film-making style and international box-office success. The term was used by American critics and other countries because most of these Westerns were produced and directed by Italians.

text: Spaghetti

text: Western

text: also

text: known

text: as

text: Italian

text: Western

text: or

text: Macaroni

text: Western

text: primarily

text: in

text: Japan

text: is

text: broad

text: subgenre

text: of

text: Western

text: films

text: that

text: emerged

text: in

text: the

text: in

text: the

text: wake

text: of

text: Sergio

text: Leone

text: 's

text: film

text: making

text: style

text: and

text: international

text: box

text: office

text: success

text: The

text: term

text: was

text: used

text: by

text: American

text: critics

text: and

text: other

text: countries

text: because

text: most

text: of

text: these

text: Westerns

text: were

text: produced

text: and

text: directed

text: by

text: Italians

text: Masculinity (also called boyhood, manliness, or manhood) is a set of attributes, behaviors and roles generally associated with boys and men. Masculinity is socially constructed, but made up of both socially-defined and biologically-created factors, distinct from the definition of the male biological sex. Both males and females can exhibit masculine traits and behavior. Those exhibiting both masculine and feminine characteristics are considered androgynous, and feminist philosophers have argued that gender ambiguity may blur gender classification.

text: Masculinity

text: also

text: called

text: boyhood

text: manliness

text: or

text: manhood

text: is

text: set

text: of

text: attributes

text: behaviors

text: and

text: roles

text: generally

text: associated

text: with

text: boys

text: and

text: men

text: Masculinity

text: is

text: socially

text: constructed

text: but

text: made

text: up

text: of

text: both

text: socially

text: defined

text: and

text: biologically

text: created

text: factors

text: distinct

text: from

text: the

text: definition

text: of

text: the

text: male

text: biological

text: sex

text: Both

text: males

text: and

text: females

text: can

text: exhibit

text: masculine

text: traits

text: and

text: behavior

text: Those

text: exhibiting

text: both

text: masculine

text: and

text: feminine

text: characteristics

text: are

text: considered

text: androgynous

text: and

text: feminist

text: philosophers

text: have

text: argued

text: that

text: gender

text: ambiguity

text: may

text: blur

text: gender

text: classification

question: producer any which way you can

answer: robert daley

text: robert daley